Leading Museums, Museum Leaders

Medici at the Met: Portraits & Politics

Lee Rosenbaum, Meddling With Medici at the Met: Provocations & Proclamations, CultureGrrl, 30 June 2021

Keith Christiansen, showing off t-shirt with the Florentine lily Photo by Lee Rosenbaum.

The Medici: Portraits and Politics, at the Metropolitan Museum to Oct. 11, is a curatorial tour de force that only a veteran scholar with the deep knowledge and extensive contacts of Keith Christiansen could pull off. With his retirement today today after 43 years at the Met, this show is his swansong at the museum, where he is Chairman of European paintings. (His successor in that role has yet to be named.)

With nothing to lose, he went rogue at last week’s press preview:

The “Medici” of the title refers primarily to one member of that illustrious family of merchants, bankers, rulers and art patrons—Cosimo I, who appears in the Met’s show in the in what this painting’s label calls, “unquestionably one of the most provocative portraits of the Renaissance”:

In case that painting isn’t titillating enough, Christiansen and co-curator Carlo Falciani, professor of art history at the Accademia di Belle Arti, Florence, have served up a Bronzino beefcake buffet:

L to R: “Saint Sebastian,” the above-pictured “Orpheus,” “Saint John the Baptist (Portrait of Giovanni de’ Medici),” “Allegorical Portrait of Andrea Doria”. Photo by Lee Rosenbaum.

Bronzino, “Cosimo I de’ Medici as Orpheus,” 1537-38, Philadelphia Museum Photo by Lee Rosenbaum.

According to the label, the “disconcerting nudity” of “the celebrated naval commander Andrea Doria” (on the right) “alludes to the virility and sexual power that were linked to public concepts and heroism and may also carry a homoerotic subtext.” He is holding a trident, which (as the Met’s label states) “is a later substitution for what was originally an oar and is “the attribute of the sea god Neptune.”

Bronzino, “Allegorical Portrait of Andrea Doria,” Pinacoteca di Brera, Milan
Photo by Lee Rosenbaum.

Here’s Cosimo I depicted by the same artist, but in a more sedate pose (at the age of 40), holding a letter pertaining to government affairs (as the label states):

Bronzino, “Cosimo I de’ Medici,” 1560, Alana Collection, Newark, Delaware Photo by Lee Rosenbaum.

In a future post, I’ll offer more serious (less salacious) commentary on this show and its peculiar resonance with another Met portraits show drawing crowds. For now, though, let’s bid a fond farewell to Keith on his last official day at the Met, via one more star turn in a CultureGrrl Video (with a brief lead-in from director Max Hollein):

Council of Australasian Museum Directors, c/o Ms Daryl Karp, Museum of Australian Democracy at Old Parliament House PO Box 3934 Manuka, Australian Capital Territory 2603 Australia, © CAMD 2021
Disclaimer: The content of this website is provided for information purposes only and is not intended as a substitute for professional advice. No claim is made as to the accuracy or authenticity of the content of the website. The Council of Australasian Museum Directors does not accept any liability to any person for the information or advice (or the use of such information or advice) which is provided on this website. The information on our website is provided on the basis that all persons accessing the site undertake responsibility for assessing the relevance and accuracy of its content. No responsibility is taken for any information or services which may appear on any linked web sites. Hostgator.
.