Leading Museums, Museum Leaders

Museum rivalry on display in Paris

Source: Fondation Louis Vuitton.

Adam Sage, Francois Pinault and Bernard Arnault put museum rivalry on display, The Australian, 30 June 2017

A little antagonism can go a long way, as Parisian art-lovers are discovering. Consider the cultural benefits of the bitter enmity between French luxury goods tycoons Francois Pinault and Bernard Arnault.

The multi-billionaires have long fought each other for supremacy in the worlds of designer handbags, haute-couture frocks and pricey perfumes. Now they are vying to see who can create the biggest and best museum.

The latest blow was struck on Wednesday by Pinault, the 80-year-old owner of the Gucci and Alexander McQueen brands, who unveiled a model of the €108 million ($160m) contemporary art museum he plans for Paris. Pinault, a renowned collector, says his museum, which will be housed in the former commodities exchange, will “enable Paris to reinforce its place on the international artistic scene”.

In addition — and this may be his greatest motivation — the Collection Pinault-Paris, will enable him to get one over on his rival.

Arnault, owner of LVMH, opened his own museum in the Bois de Boulogne at a cost of about €100m two years ago. The Fondation Louis Vuitton is in a stunning building designed by American architect Frank Gehry and contains works by Gilbert & George and Jean-Michel Basquiat.

Arnault is used to being top dog. His fortune is estimated at $53.6 billion, compared with $21.4bn for Pinault. Arnault assumed his museum would give him a cultural pre-eminence to go with his commercial clout but it has not worked out that way.

Didier Rykner, editor of art website La Tribune de l’Art, says: “In the Arnault-Pinault competition, the latter is undoubtedly best when it comes to heritage.” He praises Pinault for siting his museum in one of Paris’s finest but least known buildings, the Bourse de commerce. Japanese architect Tadao Ando will be in charge of transforming the 18th-century building. The works that will go in the museum, which is due to open in 2019, have yet to be unveiled but Pinault’s immense private collection includes pieces by Damien Hirst, Diana Thater and Mark Rothko.

Pinault says that with Francois-Henri, his son, who is married to actress Salma Hayek, and Francois Jr, his grandson, he will fund the museum to the tune of €10m a year for the next 50 years. What is more, he says he will do it without demanding the tax breaks Arnault received for his museum. “I didn’t want people to say the state had financed my artistic whims whilst others die of hunger,” he says.

The Times

Council of Australasian Museum Directors c/o Mr Brian Oldman, South Australian Museum PO Box 234 Adelaide, South Australia 5001 Australia, © CAMD 2022
Disclaimer: The content of this website is provided for information purposes only and is not intended as a substitute for professional advice. No claim is made as to the accuracy or authenticity of the content of the website. The Council of Australasian Museum Directors does not accept any liability to any person for the information or advice (or the use of such information or advice) which is provided on this website. The information on our website is provided on the basis that all persons accessing the site undertake responsibility for assessing the relevance and accuracy of its content. No responsibility is taken for any information or services which may appear on any linked web sites. Hostgator.