The Musée du Louvre has long been the most-visited art museum in our survey, and this year is no different, with the Paris museum welcoming around 7.7 million visitors—though still around a fifth fewer than in 2019 © Musée du Louvre/Nicolas Guiraud.

Lee Cheshire and José da Silva, The 100 most popular art museums in the world—who has recovered and who is still struggling?, The Art Newspaper, 27 March 2023

Our exclusive Visitor Figures 2022 survey shows that numbers in Paris and Seoul were almost back to normal last year, while other major centres such as London struggled to hit pre-pandemic levels.

Research conducted by Alex Colville and Justin Kamp.

After two years of lockdowns and uncertainty, personal loss and public turmoil, 2022 was the year when most people could once again go and visit their favourite art or travel somewhere new, with, in most cases, relatively few restrictions. The result was that 141 million visits were paid to the top 100 art museums in our survey.

Are things back to normal? Not quite yet. That 141 million is double the number we recorded last year, and nearly three times that of 2020. But there is still some way to go before we regain the high watermark of 230 million visits in 2019, the last full year before the pandemic.

And, as our analysis reveals, the recovery is uneven. China’s zero-Covid strategy has meant that its museum-goers had to negotiate regular lockdowns and draconian rules. Russian museums have had to contend with their country becoming an international pariah following its invasion of Ukraine, and tourism to and from many places becoming restricted. Visitor numbers in both countries have been similar to 2021, at best.

View visitor numbers here.

Elsewhere, some major museums have bounced back strongly—the Musée du Louvre in Paris is planning to restrict visitor numbers due to overcrowding but still managed to top our poll with an extraordinary 7.7 million visitors in 2022, beating the second-placed Vatican Museums by more than two and half million. London’s British Museum and Tate Modern regain their places in our top five, but their recoveries have been more sluggish than some of their international rivals, reflecting a slow bounceback by UK museums as a whole.

Taken together, the top ten accounted for almost 40 million visits. Now that the pandemic is largely over, people seem to be going back to much the same cities as they did before Paris and London, Rome and New York. For all the efforts to get domestic audiences to visit more, either virtually or physically, it seems that people couldn’t wait to travel to see the Mona Lisa, the Parthenon marbles and the Laocoön. These icons still draw crowds.

UK not so OK

Elsewhere in this supplement, we report on the relatively slow recovery of London’s major museums. Sadly, this is reflected across the rest of the UK. The National Gallery in London has the dubious distinction of having lost more visitors than any other museum we surveyed, with nearly 3.3 million fewer visitors in 2022 than in 2019, the last year before Covid-19 hit. In percentage terms, however, three other UK institutions did worse: Kettle’s Yard in Cambridge was down 57% on its 2019 visitors, while V&A Dundee and the Wellcome Collection in London were both down 55%.

None of these museums was impacted by Covid-related closures in 2022, though Kettle’s Yard, located in a former residential building, still had restricted capacity. The UK had one of the earliest and fastest roll-outs of Covid vaccines in the world and prided itself on getting back to normal as soon as possible—face masks are now a rare sight. So the reason for the slow recovery of its museum visitor numbers is hard to pinpoint, especially for those smaller museums that were less reliant on international tourists. It is true, however, that most UK museums saw strong year-on-year growth in 2022, many tripling their attendance over the lockdown-affected 2021, so perhaps next year will see a return to form.

Where were the brightest spots in the UK? Mostly north of the border. The Burrell Collection in Glasgow reopened in March 2022 to much higher visitor figures than previously, welcoming an impressive 483,000 visitors. (Perhaps people skipped a visit to the city’s Kelvingrove museum, which got half of its 2019 figure.) Edinburgh museums did well, too, with the National Museum of Scotland receiving nearly two million visitors and the Scottish National Gallery 1.3 million, both similar to pre-pandemic times.

The UK’s most successful paid-for exhibition of 2022 was not a blockbuster solo artist show, but Fashioning Masculinities: The Art of Menswear at the Victoria and Albert Museum (V&A), followed by shows at Tate Modern (Surrealism Beyond Borders on 158,843) and the Royal Academy of Arts (Francis Bacon: Man and Beast, 146,694). Meanwhile, David Hockney brought 221,950 free visitors to the Fitzwilliam in Cambridge for Hockney’s Eye: The Art and Technology of Depiction—a notable success for the medium-sized university gallery.

America still dreaming

Of New York’s major museums, the Solomon R. Guggenheim Museum had the biggest percentage drop in visitors, at 42% (with 750,000 in 2022 compared to 1.3 million in 2019), while the Metropolitan Museum of Art on Fifth Avenue saw the biggest fall in actual numbers, with 1.7 million fewer visitors than in 2019 (a 34% drop). It should be noted that the Met has changed its counting methodology, introducing “a new, digital programme that we believe is more accurate”, says a spokesperson, meaning a 20% decrease to its previously reported figure in 2019.

New York was not alone in its slow recovery, with institutions across the country still considerably down compared to 2019, from the National Museum of African American History and Culture in Washington, DC (down by 45%) to Denver Art Museum (34%) and the Getty Center in Los Angeles (31%).

The most visited museum in the US was the National Gallery of Art in Washington, DC, with almost 3.3 million visitors in 2022.

Despite there being no widespread lockdowns in the US in 2022, the pandemic’s aftershocks still affected many museums. A spokesperson for the National Portrait Gallery (NPG) in Washington, DC (which shares a building with the Smithsonian American Art Museum (SAAM) and therefore has the same figures), says that it only returned to its full opening schedule of seven days a week at the end of May, having been open for four days a week for the first quarter of the year. Despite nearly tripling its 2021 figure, with 954,000 visitors last year, the NPG and SAAM were still down 44% on pre-pandemic levels.

Similarly, the Frist Art Museum in Nashville used to be open seven days a week before the pandemic, which helped it achieve its all-time record attendance of 359,000 in 2019. But since reopening in July 2020, its change to five days a week has contributed to a 60% fall.

However, a handful of institutions reported figures that surpassed their pre-pandemic levels. Two of these, the Huntington Library, Art Museum and Botanical Gardens in Los Angeles (up by 26%) and the Frederik Meijer Gardens & Sculpture Park in Grand Rapids (up 3%), offered outdoor experiences as part of the museum visit. (The Museum of Modern Art in New York was also up 10%, but in 2019 it was closed for four months during renovations.)

Euro millions?

Around Europe the picture was mixed. While some big museums had sluggish recoveries, such as the Musées Royaux des Beaux-Arts de Belgique in Brussels (down 40% compared to 2019), the Neues Museum in Berlin (down 36%), the Rijksmuseum in Amsterdam (down 35%) and the Museo Archeologico Nazionale in Naples (down 34%), on the whole, visitors appear to be returning to museums.

The fall in foreign tourism has been a factor in many cities—Vienna’s Albertina identified the drop by a quarter in the number of tourists to the Austrian capital as a major factor in its visitor numbers being down 26% compared to 2019. However, other tourist honeypots were almost back to normal—for example, Musée d’Orsay in Paris, was within 10% of its 2019 figure, while the Petit Palais was up 14%.

Indeed, there were some significant jumps in attendance. In Paris, the Fondation Louis Vuitton saw its figures rise by a third, from just over a million in 2019 to almost 1.4 million last year, helped by its blockbuster exhibition of the Morozov Collection, which had a staggering 1.2 million visitors. An exhibition about Matisse’s The Red Studio painting helped the National Gallery of Denmark in Copenhagen achieve its highest ever attendance, as it welcomed more than 492,000 visitors, while the Museum of Fine Arts in Budapest saw an increase of 47% on 2019, helped by a Hieronymus Bosch blockbuster, the second most popular exhibition in the museum’s history.

Another way of boosting attendance is to create more space. The Kunsthaus Zürich opened a new extension in October 2021, helping it double its 2019 tally of visitors to more than 555,000. The Munchmuseet in Oslo, which moved to a new building in autumn 2021, welcomed almost 852,000 people last year, getting “significantly higher visitor numbers than the old museum”, according to a spokesperson.

Several museums, such as the Centro Botín in Santander and Galleria dell’Accademia in Florence—home to Michelangelo’s David— have reported numbers in the final months of 2022 picking up and surpassing pre-pandemic levels, pointing further towards a healthy recovery.