Leading Museums, Museum Leaders

Ten splendid objects

Detail of embroidered picture, silk and linen, Artist unknown, about 1640, England. Bequest of Mrs E G Elgar, 1945. Te Papa (PC000806).

Justine Olsen, Ten splendid objects, Te Papa blog, 24 November 2016

Te Papa curator decorative art and design Justine Olsen chooses her top ten objects exhibited in European Splendour: 1500–1800.

The objects below are mainly decorative and through them we see changes in style, materials, and techniques. They offer a valuable insights into a bygone age and highlight the impact of religion, trade, culture, and the way European society viewed itself.

1. The Orphrey cross

This is a rare work of craft, a religious object too, made for ceremonial splendour over 500 years ago.

Embroideries, wall paintings, and stained-glass windows enriched the religious experience in late medieval churches.

Created to honour God, they also reminded worshippers of the principle message of the Roman Catholic Church – Christ’s death for the salvation of mankind . . . The 11th-century Benedictine monk Theophilus described how fine wire was made by pulling metal rods through a tool called a draw plate.

It was a time-consuming and methodical process. Eventually the wire was wrapped around silk thread for the careful work of embroidering the divine image.

This meticulous task was often carried out by unmarried women from noble families who had found refuge in Italian nunneries.

2. Embroidered Picture

Two figures at a well, the English oak and chestnut tree with a squirrel and scavenging dog, may at first glance suggest a charming English pastoral scene.

But look closely and you will see a halo around the head of the central figure. The image is in fact a reminder of the gospel story of Jesus converting the Samaritan woman at the well, transporting this textile into the realm of religion.

It’s a cue too that in England religious embroideries were made for the home, rather than the church, following the period of religious upheaval known as the Protestant Reformation.

Embroideries like this were replicated due to the use of pattern books available at the time.

Much like Protestant texts, they were able to be circulated because of the advance of the printing press. Reproduction aided the transmission of information, style, and meaning.

Domestic textiles were among the most valued works in the home during the 17th century, with needlework carrying out the important function of decorating clothing, furnishings and wall hangings.

Read more

Council of Australasian Museum Directors c/o Mr Brian Oldman, South Australian Museum PO Box 234 Adelaide, South Australia 5001 Australia, © CAMD 2022
Disclaimer: The content of this website is provided for information purposes only and is not intended as a substitute for professional advice. No claim is made as to the accuracy or authenticity of the content of the website. The Council of Australasian Museum Directors does not accept any liability to any person for the information or advice (or the use of such information or advice) which is provided on this website. The information on our website is provided on the basis that all persons accessing the site undertake responsibility for assessing the relevance and accuracy of its content. No responsibility is taken for any information or services which may appear on any linked web sites. Hostgator.