Inventory Coordinator (retail) – NMA
Duties The Museum has an exciting opportunity for an enthusiastic and dynamic professional to join the Public Engagement Division as the Inventory Coordinator (retail). This position contributes to the success of the Retail Team of the Commercial Operations and Tourism Business Unit. The Museum requires a highly organised and efficient person who will work towards […]
Visitor Services Officer – AWM
Ongoing and Non-Ongoing roles This recruitment process is being used to fill both existing and expected ongoing and non-ongoing vacancies. It is expected that the majority of these positions will become vacant early in 2020, however some will be filled immediately. A merit pool will be established and used to fill future vacancies within the […]
CVE Administration Officers – AWM
The Australian War Memorial combines a shrine, a world-class museum and an extensive archive. The Memorial’s purpose is to commemorate the sacrifice of those Australians who have died in war or on operations and those who have served our nation in times of conflict. Its mission is leading remembrance and understanding of Australia’s wartime experience. […]
Publishing Assistant – NMA
The Museum has an exciting opportunity for a skilled professional to join the Digital and Content Services section as the Publishing Assistant. Under the guidance of the Publishing Manager, the Publishing Assistant provides editorial support and publication coordination for the Museum’s publishing activities. The Publishing Assistant develops, monitors and maintains production schedules and project plans […]
Turner Contemporary: Did Tate outpost

transform ‘no-go zone’ in ailing Margate?
AWM’s expansion budget ceiling $498M

‘- Kerry Stokes’ commitment
Return of the coronal hole: OM’s Ian Griffin

on Naseby’s dark-sky tourism & “star-party”
TRA 2018-19 intl & national data release

with digital disruption in tourism report
Dugongs, collections & Te Papa: museums key

to evidence-based conservation management
ACE draft strategy – for its own survival?

or for the cultural organisations it serves?